davidkovacs

PORTRAITS / TEST SHOOTS / personal

JESUS-DIARY

CINEMA CITIES / multiplex-effect

ASZFALT

budapestRAWE:

info / contact

https://www.instagram.com/budapestrawe/

Contextus

 

PS Magazin 

 

Vesc-Art Managament 

 

I exclusively used iPhone. When I moved to Budapest from the countryside, the metro scared me. It heavily affected my pulse, I could feel the vibration in my bones. Many years passed by, but I never really focused on the travelers around me.
One thing is sure about metro line 3: people put on sort of a meditative, defensive behavior. They do not sleep, they do not brood, they just lock themselves in. With time, I started to a play a game: I wanted to see if I was able to look into their eyes and gaze with them. And while looking into their eyes, I clicked. I have been taking photos for more than one year, and I started to focus on the clothes, the poises of hands, the geometrics of the old soviet metros.

davidkovacs

PORTRAITS / TEST SHOOTS / personal JESUS-DIARY CINEMA CITIES / multiplex-effect ASZFALT budapestRAWE info / contact

https://www.instagram.com/budapestrawe/

Contextus

 

PS Magazin 

 

Vesc-Art Managament 

 

I exclusively used iPhone. When I moved to Budapest from the countryside, the metro scared me. It heavily affected my pulse, I could feel the vibration in my bones. Many years passed by, but I never really focused on the travelers around me.
One thing is sure about metro line 3: people put on sort of a meditative, defensive behavior. They do not sleep, they do not brood, they just lock themselves in. With time, I started to a play a game: I wanted to see if I was able to look into their eyes and gaze with them. And while looking into their eyes, I clicked. I have been taking photos for more than one year, and I started to focus on the clothes, the poises of hands, the geometrics of the old soviet metros.